#MetalMonday: “Might As Well Be On Mars” by Alice Cooper
Too long for radio, the wrong fit to feature in Cooper’s conceptual concert setlists, two parts glam metal but one part Frank Sinatra’s Only The Lonely—it’s a “deep cut” if…
Too long for radio, the wrong fit to feature in Cooper’s conceptual concert setlists, two parts glam metal but one part Frank Sinatra’s Only The Lonely—it’s a “deep cut” if…
Producer/keyboardist Robert Watson is planning to complete his long-awaited full-length, The Graylands.
In what would be the last thing I’d think I’d see revisited as a reissue (other than new vinyl represses), a Brian Eno ambient classic is on the calendar to…
I’ve attended several Doobie Brothers shows long after their hits days have expired. If there’s one thing I can bring away is the fact that they still put on a…
By the release of Cosmic Thing (1989), The B-52s were already four albums deep into the time frame (five if you count the excellent David-Byrne produced EP, Mesopotamia). But Cosmic…
I once wrote that Ron Anderson is the best kind of madman. Today, with Bestial, his trio PAK’s fourth LP, he again proves he’s worth all the breathless, rave reviews…
One of John Williams' finest compositions is about a guy who abandons his family.
Three day festival kicks off the summer concert season.
Sigur Rós, a band not as often appreciated for the blends of ambient textures, vocals, and otherwise beautiful flow of composition that make up their inventive and airy albums. By…
As the ’80s came into existence, it brought with it a changing world of music. It broke every imaginable barrier and explored every imaginable style, often in extraordinary merges of…
From Keb’ Mo’s first album, his 1994 Epic Records debut, he has brought a genuine Delta Blues sound to an appreciable audience. With twelve previous studio albums, a collaborative set,…
The album succeeds, even if it reminds too hard that this is the Parsons you remember.