Album Review: Fleet Foxes, “Shore”
Shore may well be the one album from this year which you should ignore all the criticisms of - even mine - and just listen to.
Shore may well be the one album from this year which you should ignore all the criticisms of - even mine - and just listen to.
Gazpacho's latest is pretty, dark, and left wanting.
This is long-overdue. Meaning my review and, in the grander scheme of things, the most recent offering from Pete Townshend and Roger Daltrey, still trading under the name “THE WHO”.…
At this point – after 40-plus years – I really should know better than to think Paul Weller couldn’t surprise me any further, because he’s just so damned good at…
Would you fadoodle with them?
Technically, this is the first, “official” live album from The Monkees – since Michael Nesmith and Micky Dolenz are still performing under The Monkees’ banner (Live ’67 was released in…
The latest in Morse-Portnoy-George's ongoing covers series feels less fun, more calculated.
Pop Circles is the 13th solo outing from New York City-based power-pop master/legend Richard X. Heyman. He produced the set at Eastside Sound in New York and the Kit Factory,…
There’s quite a story behind singer/songwriter Juliana MacDowell and her new album, Leaving Home, her sophomore effort. The album was produced by British producer-turned-Key West studio owner, Ian Shaw, who…
Frost*'s Others brings dark, modern sounds.
Holy mother of fuck, how did this one slip below the radar? Born Yesterday Records released the Chicago quartet Stuck’s debut LP, Change Is Bad, mid-pandemic in April and I…
When I Was A Writer is the full-length debut from former Trip Shakespeare leader Matt Wilson’s latest project “Matt Wilson & his Orchestra.” The album was recorded at Wilson’s home…