Music Review: The Lickerish Quartet, “Threesome Vol. 1”
Would you fadoodle with them?
Would you fadoodle with them?
Technically, this is the first, “official” live album from The Monkees – since Michael Nesmith and Micky Dolenz are still performing under The Monkees’ banner (Live ’67 was released in…
The latest in Morse-Portnoy-George's ongoing covers series feels less fun, more calculated.
Pop Circles is the 13th solo outing from New York City-based power-pop master/legend Richard X. Heyman. He produced the set at Eastside Sound in New York and the Kit Factory,…
There’s quite a story behind singer/songwriter Juliana MacDowell and her new album, Leaving Home, her sophomore effort. The album was produced by British producer-turned-Key West studio owner, Ian Shaw, who…
Frost*'s Others brings dark, modern sounds.
Holy mother of fuck, how did this one slip below the radar? Born Yesterday Records released the Chicago quartet Stuck’s debut LP, Change Is Bad, mid-pandemic in April and I…
When I Was A Writer is the full-length debut from former Trip Shakespeare leader Matt Wilson’s latest project “Matt Wilson & his Orchestra.” The album was recorded at Wilson’s home…
Though Sunshine Boys have been referred to as indie rock royalty, they prefer to think of themselves in more modest terms: as three musicians with the good fortune to find…
Even a lesser Kansas work—and In The Spirit Of Things is an obviously and significantly flawed album—rewards deep and repeated engagement from its listeners.
Lowell Brams has been part of singer/songwriter Sufjan Stevens life since Stevens was barely out of toddlerhood. Brams – the titular “Lowell” of Stevens’ excellent 2015 solo LP Carrie &…
The Strokes are feeling the Eighties and I’m here for it. Their first full-length since 2013’s unfortunate but aptly named Comedown Machine, The New Abnormal stands as the first Strokes…