Review: Hit Me! The Best of Ian Dury (3CD)
The heydays of Stiff Records and their stunning stable of artists led to a worldwide bear hug’s acceptance of most artists on the label. Elvis Costello. Nick Lowe. The Damned.…
The heydays of Stiff Records and their stunning stable of artists led to a worldwide bear hug’s acceptance of most artists on the label. Elvis Costello. Nick Lowe. The Damned.…
TAPside, we get a lot of music to listen to from largely unknown artists. Typically, as you can imagine, may of them are average. But once in a while, my…
A new Bob Mould album is always a welcomed thing; he’s a voice of comfort; familiarity – an old friend that makes you stop and think and remember certain times,…
Shore may well be the one album from this year which you should ignore all the criticisms of - even mine - and just listen to.
Gazpacho's latest is pretty, dark, and left wanting.
This is long-overdue. Meaning my review and, in the grander scheme of things, the most recent offering from Pete Townshend and Roger Daltrey, still trading under the name “THE WHO”.…
At this point – after 40-plus years – I really should know better than to think Paul Weller couldn’t surprise me any further, because he’s just so damned good at…
Would you fadoodle with them?
Technically, this is the first, “official” live album from The Monkees – since Michael Nesmith and Micky Dolenz are still performing under The Monkees’ banner (Live ’67 was released in…
The latest in Morse-Portnoy-George's ongoing covers series feels less fun, more calculated.
Pop Circles is the 13th solo outing from New York City-based power-pop master/legend Richard X. Heyman. He produced the set at Eastside Sound in New York and the Kit Factory,…
There’s quite a story behind singer/songwriter Juliana MacDowell and her new album, Leaving Home, her sophomore effort. The album was produced by British producer-turned-Key West studio owner, Ian Shaw, who…